Shrimp!

"I'm comfortable in my own skin, I've never thought there was any intrinsic value in looking young for your age"

We've had Mad Men, a twin-set clad Katie Holmes for The Kennedys and the BBC's current hit The Hour  providing us with retro delight recently.  In fact, we've been rather spoilt.  Then, whilst I'm foaming at the mouth over the new series of Downton Abbey appearing on the horizon, along comes the announcement that Doctor Who star Karen Gillan is to play '60s model Jean Shrimpton in a new BBC film.

Gillan, who plays Amy Pond in the hit series, will swap lumberjack shirts for structured shift dresses to star in the biopic of fashion photographer David Bailey, with whom Shrimpton embarked on a four-year love affair with after meeting him on a photo shoot.  The next couple of photos are from the set of the new BBC Four drama.

While the redheads might not be the ultimate sisters in style, porcelain-skinned Gillan harbours an affection for thigh-high hemlines, which is fitting as Shrimpton, now 68 ( and not a huge fan of publicity), was credited with launching the miniskirts to the masses during her heyday in the '60s.

We'll Take Manhattan is going to be the name of this docu-drama, about the famous love affair that takes place between photographer David Bailey and Jean herself.  For those not in the know, Bailey used Shrimpton as his model for a 1962 photo shoot for Vogue magazine in New York. Shrimpton was considered a bold move for the photographer but the resulting shoot defined the style of the 1960s. The story that is told in this drama is about that time and how the two fell in love along the way (awwwww). Also rather exciting is the luscious actor set up to play David Bailey....Aneurin Barnar.

The wonderful Shrimpton, who you may have spotted in last month's Vogue Beauty supplement has always been a model I admired, partly because she turned her back on the industry in her early 30s and partly because how elegant she remains to be, rarely giving interviews.  In the most recent piece I could find she said, "I never liked being photographed. I just happened to be good at it." And she was a revelation.

Here is a shot from her heyday including one from New York, 1962, by David Bailey – in a 14-page editorial meant for Vogue. The New York shoot went against the industry standard of pretty and extravagant sets and styling and instead, took place around Lower East Side and Harlem without any of the usual entourage. (David handled his own film, Jean did her own hair and make-up, and they travelled in taxis around the city) – Its gritty style placed the city’s tough streets in counterpoint to Jean’s delicate frame, this is what I think we'll be seeing more of in the drama.

A great photo of Shrimpton and Bailey taken in 2006.

P.S. If you want a super holiday in the UK, I would highly recommend Jean Shrimpton's beautiful Abbey Hotel in Cornwall.

Singularly Beautiful

Have you ever wandered around an art gallery and had to sit down because you were overwhelmed by the beauty of a particular picture or piece of sculpture? That is the feeling I had through my viewing of A Single Man..though fortunately, I was sitting down already. A film that was rather scathingly called, "Bereavement by Dior" to me was an eloquent and yes, undeniably stylish debut from director Tom Ford about the trauma of losing someone you love.

Based on the 1964 novel by Christopher Isherwood, the single man of the title is George Falconer, an ex-patriate Englishman living in Los Angeles, a bespectacled college professor teaching English Literature. I must add that I don't remember a single one of my professors looking like the teaching staff at this place. Seriously, I know it's 1962 so I will allow for the wonderful clothes, hair and make-up but I doubt a genuinely haggard, sleep deprived, hungover or (let's be honest) ugly person would have made it past the velvet rope into Tom Ford's film. Did students at your university look like these two?

Shock and grief have made George depend on his routines so that he can conform to the image of what society thinks he should be. His repressed English mannerisms have become accentuated..perfectly pressed suits, buffing his brogues to a shine, drawers full of immaculate, identical shirts. One of my most favourite points in the film was when George lays out his clothes to be buried in and doesn't forget a detail right down to specifying the correct knot on his tie. (A Windsor knot if you must know).

Tom Ford speaking on The Film Programme said that in his mind, his back story for George was that he had family money and an income from that which would certainly make sense as the clothes alone (never mind the stunning modernist house, car etc) would have taken up a college professor's salary. His film never ceases to be swooningly lovely: especially the scene in which George shares a cigarette with a beautiful Spanish boy, swathed in the smoggy redness of an LA dusk. But that black-and-white flashback showing George and Jim sunbathing nude on some rugged and frankly uncomfy-looking rocks – that is just outrageously ad-like..though yes..still undeniably stunning.

Julianne Moore plays George's best friend and confidante Charley, a ­fellow English expat and semi-alcoholic ­divorcee. After her appearances in Todd ­Haynes's Far From Heaven and Tom ­Kalin's Savage Grace, this role ­underlines a slight gaycentric typecasting for Moore, but like Firth she inhabits it with absolute confidence, and their friendship is touching and warm, even when George is furious to realise that Charley, in spite of everything, believes in her heart that heterosexual ­marriage is more real than gay partnership. ­Again top marks for hair and make-up and a fabulous black and white maxi dress with a cape.

To me, to judge the film purely on style takes away from not only the extraordinary performance by Firth but also the sensitive direction and adaptation achieved by Ford. Can't deny I loved the clothes though...and I will be buying it on dvd if only to learn how to achieve Julianne Moore's superb beehive.

UPDATE! After last night's fabulous Mad Men where Don and Betty went on a mini-break Rome (as I will be doing shortly)..another fabulous beehive to emulate....